Secrets From The Vault

One of the most interesting aspects of researching rare books is finding signs of use that a volume has accrued over the centuries. Ownership inscriptions, marginal annotations, bookplates, and bindings are all clues as to where a book has been and who has used it over its long life. A 500-year old book that looks like it has never been read is a perplexing problem.

Being a cataloger at an institution like the Morgan means being surprised on an almost daily basis. You never know what will come across your desk. In early 2023, I took on the task of completing the cataloging of a large collection of nineteenth and twentieth century French music scores and sheet music.

John Keats died with £800 in chancery, due to him from an inheritance. He knew nothing of this though, and was effectively penniless while he was dying of consumption. In a final attempt to recover his health, he set sail for Italy in the fall of 1820 with his close friend Joseph Severn. A month before his departure, he acknowledged the futility of this journey in a short letter to his publisher and friend John Taylor and noted that the upcoming trip "wakes me at daylight every morning and haunts me horribly."

Napoleon and Josephine were married in March, 1796, just days before he departed to take charge of the French army in Italy. In love with his new wife, Napoleon sent her passionate letters and begged her to join him. Josephine, however, preferred to continue her fashionable life in Paris, and to this end she confided to Murat, Napoleon's confidante, that she was pregnant.

This past summer I spent some time researching the Morgan’s collection of manuscripts and letters by Henry James for an essay to be published next year in the book accompanying the exhibition Henry James and American Painting.

Life, & the world, or whatever we call that which we are & feel, is an astonishing thing. The mist of familiarity obscures from us the wonder of our being ... Life, the great miracle, we admire not, because it is so miraculous. It is well that we are thus shielded by the familiarity of what is at once so certain and so unfathomable, from an astonishment which would otherwise absorb and overawe the function of that which is its object.

Ten years ago, the Morgan’s Department of Photography made a landmark acquisition: Peter Hujar’s papers, 100 photographic prints, and 5,783 black-and-white contact sheets. The contact sheets are of great importance: they span the artist’s career from 1955 until his death of AIDS-related pneumonia in 1987, and index nearly every black-and-white exposure that he made.

In 2013 The Morgan acquired one hundred photographs by Peter Hujar and, along with them, a vast collection of material including correspondence, job books, and contact sheets. The contact sheets were made between 1955, when Hujar was in his early twenties, and 1986, shortly before he died of AIDS-related pneumonia, and they demonstrate the range of Hujar’s practice.

In 1621, Peter Paul Rubens received Marie de’ Medici’s commission to create 24 tableaux for the decoration of two galleries in the Luxembourg Palace. The commission, which would come to be known as The Marie de' Medici Cycle, included a series of 21 paintings constructing a panegyric “visual biography” of Marie de’ Medici along with three portraits – of Marie, her mother and father. By early 1622, the terms of the contract were negotiated and Rubens had three years in which to finish one of the most challenging projects of his life, both artistically and intellectually.

Wilkie Collins, who not as well known today as his contemporary and collaborator Charles Dickens, was, in his heyday, a literary celebrity -- and he is perhaps best remembered now as the author of The Moonstone, which T. S. Eliot described as the first and greatest of English detective novels.