Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Plan your visit. 225 Madison Avenue at 36th Street, New York, NY 10016.

Vanitas Still Life

Herman Henstenburgh
1667-1726

Vanitas Still Life

14 1/16 x 11 9/16 inches (357 x 294 mm)
Opaque watercolor, selective gum arabic glazing, over black chalk, on parchment.
1982.95

Purchased on the Edwin H. Herzog Fund.

Notes
A near identical vanitas composition, distinguished primarily by different flowers, a recorder instead of a violin, and an ox-bone instead of an overturned hourglass, was on the London art market in 1977 as Cornelis van Spaendonck (1756-1840). Due to the floral subject-matter and the false "signature" inscribed at the lower left, the Morgan drawing was then attributed to Cornelis's older brother, Gerard van Spaendonck (1746-1822). However, the drawing is by the earlier master Herman Henstenburgh and comparable to a signed "Vanitas Still-life" in the Unicorno collection, The Hague (Inv. no. N 246). This is one of another near identical pair of memento mori images, with the skull turned in profile to the right; the related version, signed and dated 1698, is in the Westfries Museum, Hoorn (Inv. no. 00547/B 269a). In this case, the props (candle, overturned hourglass, and ox-bone) are also exactly the same, and only the flowers vary.
Inscriptions/Markings
Inscribed at the lower left, on the edge of the table, by a later hand, in point of brush and red tempera, "Va: n Spaendonck ft ["t" in superscript]:".
Associated names
Spaendonck, Gerard van, 1746-1822, Formerly attributed to.
Bibliography
Ryskamp, Charles, ed. Twentieth Report to the Fellows of the Pierpont Morgan Library, 1981-1983. New York : Pierpont Morgan Library, 1984, p. 301.
Jane Shoaf Turner, with contributions by Felice Stampfle, Dutch Drawings in the Pierpont Morgan Library: Seventeenth to Nineteenth Centuries, New York, 2006, cat. no. 379.
Classification
Century Drawings
School
Department